EnglishJapanese



<Caribbean Island I>
Haitian Vodou Music and Dance


Date: July 13 (Fri) 19:00, 14 (Sat) 14:00
Venue: Sogetsu Hall [ > map]
Ticket: ¥4,800 (Free seating)
(C) Chantal Renault

Sacred rhythms of spirit possession: a true Vodou experience - for the 1st time in Japan!
 
The folk religion of Haiti is Vodou. During the French colonization period slaves were brought from West Africa to Haiti in order to work on plantations. Although they were baptized as Roman Catholics the enslaved people continued to practice in secret their own religion. Ancient African and modern Catholic faiths melted together in the West Indies and as a result a new religion was born: Vodou. In the misery of slavery, suffering from oppression, Vodou practices gave the abused people courage and unified power.
Vodou ceremonies have physical and spiritual dimensions, but are often misunderstood in a negative way by foreigners. Complicated musical rhythms and dance bring the spirits to life through song, dance and drumming.

About Vodou
Vodou religion is unique to Haiti, although it can be found in comparable ways in Trinidad and Tobago, Brazil or even in the southern parts of the U.S.A. like Louisiana. Vodou played a critical role in Haiti's struggle for independence. Vodou meaning “spirit” is practiced by most Haitians today as a syncretism of Christianity and Vodou. Indeed, both faiths reveal common elements, such as focusing their ceremonies around a center point, whether an altar or a pillar (poto mitan), and by using symbols. The cross, for example, is a favorite Vodou symbol. Other elements of African origin have been maintained in their original form such as worship of the ancestors, sorcery or the incantation of twins. Virgin Mary is associated to the spirit of the goddess of love, Erzulie, the Vodou counterpart to the Holy Mother. After a legend, Virgin Mary appeared on the top of a palm tree in the mid-19th century, close to the waterfall named Sodo (French: Saut d'Eau). Ever since, this waterfall became a sacred Vodou pilgrimage site.
In a Vodou service the spirits “Loa” are called to take part in the service, receive offerings and grant requests.




La Troupe Makandal  
Frisner Augustin   (master drum)
Steve Deats (second drum)
Morgan Zwerlein   (third drum)
Marc Etienne   (bass drum and percussion)
Marie Carmel   (manbo)
Pat Hall   (ounsi,dance)
Smith Destin (ounsi,dance)
Huguette France   (ounsi,vocals and dance)
Elsie Megie   (ounsi,vocals and dance)




Sacred music and dance of Vodou ritual

Demonstration “Vodou Rhythms”
Asahi Beer Hall Asahi Beer Lobby Concert No.102
July 18(Wed)18:45
Subscriptions via the homepage:
http://www.asahibeer.co.jp/csr/philanthropy/art-cul/index.html
Contact: 03-5608-5195

  




¥4,800 (Free seating)



- Arion Ticket Centre   TEL: 03-5301-0950
  open : Mon-Fri 10:00a.m.-6:00p.m.

- Ticket Pia   TEL: 0570-02-9999
  http://pia.jp/

- e+     http://eplus.jp/

- Lawson Ticket    TEL: 0570-000-407
  http://www2.lawsonticket.com/




profile1.jpg
(C) Chantal Renault
[La Troupe Makandal]
In 1973 a group of young musicians and dancers from Port-au-Prince founded La Troupe Makandal and named the fledgling company after a remarkable Haitian revolutionary. The pieces they created drew on a long tradition of spirituality and resistance. They evoked power and magic.
The company immigrated to New York in 1981. Master Drummer Frisner Augustin, a performer and drum instructor who had left Port-au-Prince for New York in 1972, became Artistic Director and introduced the Troupe to Haitian immigrants in Brooklyn through community festivals. In 1982, Makandal came to the attention of the wider public and appeared in theaters, galleries, and educational venues throughout the New York area, then beyond. The Troupe has made three recordings, is featured on three others, and has established workshops in Haitian drumming. In 1999 the National Endowment for the Arts awarded Master Drummer Augustin its distinguished National Heritage Fellowship.


profile2.jpg
(C) Chantal Renault
[Frisner Augustin]
Frisner Augustin was born in Port-au-Prince, Haiti, where he studied ritual drumming in the temples of Vodou. In 1972 he immigrated to New York, where he established himself as a master drummer in Vodou rituals, as a performer for Haitian community festivals, and as a drum instructor. In 1981 Mr. Augustin took over the direction of the company La Troupe Makandal.
Aware of the negative stereotyping of Vodou, Maestro Augustin uses his drum to recast the mystery of the religion from a positive perspective.
In 1999 the National Endowment for the Arts awarded him a National Heritage Fellowship, the nation's highest honor in the folk and traditional arts.



* Personnel and program may change according to accidental reasons.





CopyRight © 2010 Arion-Edo Foundation. info@arion-edo.org