< Program A >
Tape Work Collection: The Dawn of Electronic Music
[Selected by Ryuichi Sakamoto]
Toshiro Mayuzumi Les œuvres pour la musique concrète "X, Y, Z" (1953)
Toshiro Mayuzumi Music for sine wave by proportion of prime number (1955)
Makoto Moroi / Toshiro Mayuzumi Variations on numerical principle of 7 (1956)
Toru Takemitsu Water Music (1960)
[Appearance]Kyusei Kanze Tetsunojo (sitekata Kanzeryu nohgakushi)
Toshi Ichiyanagi Parallel Music (1962)
Yuji Takahashi Phonogéne (1962)
Hiroshi Manabe Time (1963 / Animation, Music by Yuji Takahashi)
Toru Takemitsu ‘Ki’, ‘Bunraku’ excerpts form "Kwaidan" (1964/66)
Sumihisa Arima (sound direction)


< Program B >
Tape Work Collection: Expo ‘70
[Selected by Ryuichi Sakamoto]
Joji Yuasa Icon on the Source of White Noise (1967)
Yoriaki Matsudaira Assemblages for tape (1968)
Minao Sibata Improvisation for electronic sounds (1968)
Toshi Ichiyanagi Tokyo1969 (1969)
Akira Miyoshi Transit (1969)
Joji Yuasa ‘Interview’ from "Voices Coming" (1969)
Joji Yuasa Music for Space Projection (1970)
Ryuichi Sakamoto Exhibition (1978)
Sumihisa Arima (sound direction)


< Program C>
Somei Satoh Works For Tape, Digital Delay and 2 Pianos
Somei Satoh: Emerald Tablet, 1978 (Music for Tape)
Somei Satoh: Litania, 1973 (For 2 Pianos with Digital Delay) and more
Appearance
Keita Kosaka (pf),
Satoshi Inagaki (pf),
Somei Satoh (digital delay),
Yukari Nonoshita (sop.),
Yasunori Yamaguchi (perc.)
Sumihisa Arima (sound)

All free seating
Program A : ¥1,500
Program B : ¥1,500
Program C ¥3,000
Concert pass: ¥5,000 (valid for program A, B, C/ limited number/
re-entry is required for each program)